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Sam Gross, whose cartoons wrenched gags from frogs’ legs, fairy tales, cats, aliens and cave men, drawing belly laughs whether they graced the pages of The New Yorker or eviscerated notions of taste ...
Sam Gross, whose outrageous, sometimes shocking and occasionally — by today’s standards — cancel-worthy cartoons are considered some of the funniest single-panel gags to ever appear in the National ...
I learned in my twenties that it’s the octo- and nonagenarians who have the best gossip. When I started at The New Yorker, as an assistant, the late writer Lillian Ross would call with scintillating ...
In his work for The New Yorker and especially National Lampoon, he was unafraid to offend people. But his primary goal was to make them laugh. By Daniel E. Slotnik Sam Gross, whose cartoons wrenched ...
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